Dear Carmen Maria Machado: Clichés are Overrated
By Priya Sharma
Maybe this has happened to you. You pick up a book –
maybe it is a favorite author, maybe it is someone new – and you dive right in
expecting to like it, but you are just not hooked. It happens. Still, for
whatever reason, you decide to stick with it and give it another 20 pages, then
another 50, then another 100, until you find yourself stuck in the last third
of the book trying to convince yourself that you have to finish it. But is
it worth it? To me, everything from picking up a book to putting it down, is
really up to the author. It is about how the author teaches us readers
through the intricately created story line.
Authors must rely on audience reactions and critical
reviews. So although the saying "don't judge a book by its cover" is cliché,
many authors care to make their books look exciting. Moreover as an audience
member, it is tempting to pursue a book based on how fascinating its cover
looks. In fact, 85% of the (BuzzFeed) population is guilty of doing that too. But if you fall into
the other 15%, you are choosing a book based on its quality. You realize that
sometimes, the cover cannot provide you with enough information about how the
actual story is. I fall into that 15%. Sometimes it is hard to stay unbiased,
but reading the first twenty to thirty pages gives much more sight into what I
am getting myself into than the cover.
By reading the first chunk of the book, the reader can
learn two things: one, what the story line is, and two, how efficiently the
story line has been set up. The worst thing an author can do is still have no
point after the first twenty to thirty pages of the book. Recently, we have
been learning about the Hero's journey and what each part of that journey means. Personally,
if after thirty pages the characters and setting are still being introduced, I
lose motivation to continue reading the book. Rather than learning about
each character and the setting page after page, it is more efficient to learn
more about the character as the character grows with the story. Not only is
that more interesting to read, it helps the reader relate to the characters. So
in my opinion, after the first chunk, the main character or characters
should be past their call to action stage.
Relating to the characters is also what makes the book
more compelling. If the characters are too perfect, or trying too hard, it is
almost annoying to read about. In the book Howl’s Moving Castle, the characters were not portrayed as the typical
stepmother and evil two step sisters. This not only helped make the characters
more relatable, they were interesting to learn more about because it was not
the typical fairytale story told once too many times. Instead, each character
in the book had a distinct archetype. SFF is such a broad genre that it is easy
to cover a multitude of topics.For example, we read Do Androids Dream of Electric Sheep and Lord of Light back to back. However, DADES focused on the life of androids and that area of science
fiction whereas LoL focused heavily on character developments in a
religious and historical setting. The books all had different plots, and I did
not want to put any of them down because of how intriguing they were.
Looking back, I realize that authors are doing more than
just writing a book for entertainment. They are putting a piece of themselves
out into the world. Authors subtly create main characters about someone in
their life or include details in settings that were a part of their own life. When
an author does that efficiently, and you become as passionate about reading as
they were about writing, the author did a great job. The author was able to relay
the message they wanted to, to their audience. If that is visible by half the
book, that is what inspires me to finish that last half of the book.
Dear Priya,
ReplyDeleteYou couldn't be more right about the act of writing a book being a form of putting yourself on the page. To care enough to go to that effort, an author has to invest something of themselves in the process.
As to your "stuff's gotta happen in the first chunk" perspective, I've heard it said before that within the first 20% of a text, the inciting incident/call to action needs to have taken place. So if we're talking about a 300 page book, that's really the first 60 pages or so. Of course every reader's mileage will vary, and every story coaxes us to have patience - or not - in different ways. I wonder how the 20% or sooner theory would work for you, if you tested it against books you've read and liked versus ones you've abandoned?
Best,
TT