Carmen Maria Machado: The Golden
Ratio of Speculative Fiction
By Sagar Nattuvetty
Ever since I was young, I read books
for a single purpose. To live another life. I’m never going to slay dragons,
save the queen, or master arcane spells in an Illinois suburb. Books let me
escape to a dimension of imagination by the manipulation of others. However,
that being said, I am not safe from a disappointment that accompanies some
novels that pique my interest. Over the years, I’ve gained a good sense of the
type of adventures I like to go on, but the disappointment comes mainly from
how the author is able to balance the plot action and the plot development.
To be completely honest, I used to
be a huge sucker for judging a book by its cover. It was a naive mistake I made
in my earlier years, and it led me to a very narrow. I realized my wrong when I
was recommended A Game of Thrones by
George R.R. Martin, a book with a simple cover and an intricate tale. After
finishing that, I realized the number of well-crafted stories I would be
missing out on from grazing over an unappealing illustration. After this
experience, I started refining my selection process. I eventually became
conscious of a question that I repeatedly asked people when getting book
recommendations. “Does the adventure get to you?” When you’re reading, it’s
easy to categorize the adventure into two different sections; one where you
simply observe a chain of events, and one where you get caught up experiencing
the events. I generally get a good sense of how a book is going to be based on
the character development that occurs in the first few chapters, and how
invested I get in them. If I get hooked during that phase of a book, it’s
extremely hard to push me to the point of putting the book down. However, the
book is never 100% safe because it has happened before.
There is a certain balance between
action and development that makes a book readable. Almost all science fiction
and fantasy authors have a strong grasp on how to maintain a reasonable ratio,
but the balance tolerance is different for every reader. In my case, I am very
lenient with this, but have been victim to loss of interest. The most apparent
example in my reading life thus far is Harry
Potter and the Order of the Phoenix. It comes as a surprise to many people
that although I have a wide range of SF interests, I was unable to finish the
Harry Potter book series. And there have been many instance where I picked it
up again and was unable to get through the part that made me put it down in the
first place. There had come a point in the book where I got very bored of the
world building that was happening, and made me lose my previous investment in
the story. When the author has already given me a taste of the heat of the
battle, but keeps me waiting for a tad too long, I get lost. I realized once I
made the decision to stop, my imagination was literally incapable of giving the
book another chance because it kept associating the loss of interest feeling
with that specific part.
At the beginning of my Speculative
Fictions Studies class, my teacher asked the class what kind of SF reader we
classified ourselves as a daydream believer. I aim to escape. I want to get
sucked in one hundred percent, and lose all sense of my surroundings. As long
as the author is able to avoid the disappointment by keeping that ratio in
range, I’ll be in it until the end.
Dear Sagar,
ReplyDeleteI'm actually in the process of reading my son _The Order of the Phoenix_ now and, at slightly less than halfway through, about as disinterested in a book as I can recall having been in recent memory. So I know exactly what you mean!
That golden ratio is hard to balance, and I think you give writers a lot of credit for knowing how to do it. Even the best among them stumble (thinking of you here, Tolkien). Wanting to believe in the daydream the book offers really involves falling under a spell, as you suggest. Like all spells, it's intricate and unforgiving when it fails.
Best,
TT