Dear Carmen Maria Machado: What Makes Start and Finish New Books
By: Walker Weyland
On average, I stop reading over a
third of the books I start, especially in the SF genre. Deciding which book to
pick up is the easy part. There are a multitude of ways to hear about good
books today. Most of the time for me, friends will recommend their favorites
and these are the books I usually enjoy the most. Besides these books, I will
often look at the new releases at the library or bookstore. But ultimately, the
first thing that makes me pick up a book is the title.
A bad title
can be a book's own kryptonite. For example, here are two real book titles, "A Vampire
Raised by Werewolves” and, “American Gods”. There are three things that
the first title does wrong, and the second does right. The first is that the
title "A
Vampire Raised by Werewolves” gives too much information away. Without
reading the book, any one walking by can tell you exactly what that novel will
be about. “American Gods” on the other hand, raises more questions than it
answers, giving the reader incentive to pick up the book. Second, in a world
post Twilight, there isn’t a title much more cliche than something including
vampires and werewolves. Originality is probably the most important aspect of
an SF title. Finally the flow of the title; this aspect may seem a little
superficial and perhaps subjective, but unless the title sounds good to say,
readers will be less likely to read the whole book.
Once I have
decided to give a book a chance, the worst thing an author can do is to talk
down to the audience. I commonly find this amongst young adult novels. It can
be the repetition of over explaining
simple concepts, or explicitly saying what could have been more effective as an
implication. I find that many authors, in trying to seem relatable, actually
become even less relatable. Because most of the people who write books for
young adults are not young adults themselves, references to young adult culture
often fall flat. These failed attempts to relate to the younger audience can
seem like the author is talking down to the reader and will immediately make me
put down a book.
First
impression is everything. Without a well-thought-out title that creates a sense
of intrigue and adventure, an author can lose many prospective readers before
they even read the synopsis. After, if the title succeeds in luring in a
reader, the author must make sure that proper consideration of the target
audience has taken place, this will dictate whether the reader will complete
the book or not. These crucial attributes are often overlooked and are what I
look for most when reading new books.
Dear Walker,
ReplyDeleteAs you know, I'm a sucker for a good example, and so I couldn't help but wonder what a prime example of a book (YA or no) talking down to you might be. Is there an instance of such that really sticks in your craw still, maybe among the 1/3 of the books you've bailed on in recent memory? Writers sometimes lack a clear sense of when they're talking down to their readers, I think, and that's attributable to many things: the wide potential diversity in readers and their variable needs and expectations; concern about an aspect of the work being too opaque without additional illumination; or just liking the "sound" of their own narrative voice a bit too well. I'm sure Carmen Maria would appreciate an example of that, so she can apply it to her own experiences and habits writing. (Though if you want an example of a Machado story that gives nothing away, check out "My Body, Herself" in Uncanny Magazine.)
Best,
TT