Dear Michi Trota: Teen Angst or
Worldly Perspectives?
By
Melissa Wen
As a teenage girl fighting her way to get through her senior year
of high school, I have to say that I really like reading about complex teen
problems. I know that it makes no sense why I would want to read about issues
so mundane and every day to me. After all, speculative fiction is all about
reading to escape the issues of our world. But, because I’m constantly
surrounded by questions that I can’t seem to answer like who am I and what do I
want to do for the rest of my life, I tend to seek books now for more of a
consolation that everything is going to be alright in the end and that I can do
something if I try hard enough than for purely entertainment purposes. For
example, instead of focusing on the shockingly brilliant action scenes between
Spiderman and Electro during Amazing
Spiderman 2, I was more concerned with the electrifying story line of Gwen
going to Oxford for college and leaving her entire life with her family and
Peter behind. I love reading about identity issues, acceptance of self, and the
mental states of my favorite characters and wish there were more genre stories
that addressed those themes and storylines. One story that we had read in class
that came closest to what I really want to see in genre fiction is Supertoys Last
All Summer Long. Although a somewhat tragic ending, the way that Aldiss let us see
both David’s point of view and Ms. Swinton’s point of view on their inability
to communicate with one another fascinated me. On the one hand, David is just
an artificial toy meant to be a placeholder for a real, live boy while on the
other hand we see that David appears to have genuine emotion despite his
mechanical makeup. The dispute on whether a mechanical makeup resulted in a
mechanical or apathetic persona can be taken as relevant to how one might view
people from other backgrounds. Because a person grew up in a bad neighborhood,
does that make the person from a bad neighborhood inherently bad? As well, in Pretty
Boy Crossover, we see a “Pretty Boy” struggle with deciding whether he should
leave his mortal world to become immortal by transplanting his soul into an
electronic version of him, or keep to his livelihood and potentially die alone
and forgotten. Here, we see the typical struggle that all teens experience
which is peer pressure to become something that doesn’t feel right to them and
whether being what everyone wants you to be is worth losing your identity. Although
any of these stories can have a moral or an idea that can be manipulated into
having some relation to the everyday world of the modern teen, for example Cold Equations can
be perceived to show that the rules or our world can force us to make cruel
decisions and that life is unfair or in 26 Monkeys,
Also the Abyss that sometimes we don’t need to make sense of everything (like a
mysterious abyss) in our world to feel content that everything in this world
can be explained, genre stories are more relatable when we can easily see the
connection to our daily lives or, in my case, the typical teen angst. So,
although our world is overrun by technology, our care for the environment is atrocious,
and what defines humanity are all themes that are present in our world, the
typical teen doesn’t care for any of these major dilemmas in our world. Teens
are self-absorbed monsters that only care for their identity in this world in
their future and whether they live up to everyone’s expectations (obviously
with some exceptions). Thus to feed the masses of teen angst lovers looking for
how genre stories really reflect their daily lives, more personalized themes
such as characters struggling with who they are and what they want to become
shall be served! And because I need some pictures to illustrate what I’m
talking about, enjoy this musing of Neville
Longbottom that is representative of how all the masses feel right now.
(Neville Longbottom in Harry Potter and the Chamber of Secrets contemplating life.) |
Melissa,
ReplyDeleteYou say that speculative fiction exists to escape the issues of the everyday early in your post, but I think as your writing goes on, it becomes clearer that in a lot of ways, sf is about using the unlikely and unreal to HIGHLIGHT real things about human beings and human nature. After all, David and Mrs. Swinton and Pretty Boy are all struggling with fundamentally human questions and concerns. It's the sf-nal nature of their circumstances that makes exploring them so keenly so .... well, possible!
Poor Neville. Why IS it always Neville, anyway?
Best,
TT