Dear Chuck Wendig: Hello From the Other Side
By
Devdhi Kasana
Speculative fiction often calls on the
reader to step into the story and become the protagonist. The lonely or
ostracized character finding a place where they belong in an alternate world or
dimension has become an archetype of the speculative fiction genre. I
personally enjoy this archetype as it is highly relatable (for me, at least)
and I love seeing characters exploring their new worlds and observing the most
mundane characteristics of the new worlds with extreme fascination and
interest. I often find that the portions of books that interest me most are
those where I learn something new about the way the new world works, whether it
be the structure of political systems, development of plans, or even just
following a recipe of a food from the new world. This may be why the
sword-forging scene from Brisingr,
the third book in the Inheritance Cycle
by Christopher Paolini, is one of my favorite literary scenes of all time.
The immense detail that Paolini puts
into describing the forging of Eragon’s sword has pulled me back to read that
scene on its own dozens of times. The satisfaction I get out of that scene
stems not only from being able to visualize the creation of the sword, but also
from seeing Eragon’s excitement and happiness grow as he gets one step closer
to becoming a true Dragon Rider. His journey throughout the series of
understanding where he belongs and fulfilling his destiny makes the Inheritance Cycle one of my favorite
series to date. Finally belonging somewhere is a theme that I love to find in
science fiction/fantasy stories and even in other genres as well. From Hagrid’s
iconic line “You’re a wizard, Harry!” (Harry
Potter by J.K. Rowling) to Tally Youngblood’s difficult decision between
Pretty and Ugly (Uglies by Scott
Westerfeld), finding where you belong is a powerful muse for authors
everywhere.
However, something that troubles me
is the reason why this theme is so popular. The plethora of science
fiction/fantasy stories based around this theme is proof that finding where you
belong is a universal interest. Readers tend not to look for stories on events
and people that are real for fun. The non-fiction genre has its appeal, but for
those looking for an escape, fiction is much better at serving their needs. The
fact that people look for an escape, and that the escape they find is in
stepping into a character’s shoes who finally finds a place to belong tells us
something very important about people in general. It tells us that thousands of
people feel like they don’t belong, and to put themselves in a story where they
find their place in the world or another gives them a satisfaction that real
life can’t give them. It’s kind of sad to think about, that people find more
belonging and comfort in ink on paper than in real life interactions. On the
other hand, it’s comforting to know that there will always be a place for you
in books, even if the real world seems to reject you. The fear of isolation pushes
people to isolation, as it makes people try to fit into places not meant for
them and feel increasingly alone in crowded rooms.
There is nothing wrong with wanting to
be alone. However, the clear yearning of readers across the world tells us that
there are many who wish to find where they belong, and are stuck on the wrong
side of the book: looking at the pages instead of acting within them. Jo
Walton’s Among Others highlights this
phenomenon in its entirety in a compelling story. Mori finds her karass and
continually doubts the legitimacy of her place in it, questioning whether magic
or the natural course of events made her a place in the world. Mori is all of
us isolated readers, unable to comprehend true belonging after being deprived
of it for so long. Seeing these stories of belonging in published works is
always something that I enjoy, even if it makes me a little sad to think why I
enjoy them. I won’t ever really be a part of the Golden Trio or ride dragons or
start a rebellion or do anything that exciting. I’ll just tag along for the
adventure and live vicariously. I’ll be on the other side of the pages, outside
looking in.
Devdhi,
ReplyDeleteAhh, but you see, if we listen to Mori in _Among Others_, we see that it's the vicarious ride with these characters that GIVES you a karass. The people who love these fictional people (and the fictional people themselves) are/can be your people, too. I agree that sff deals with belonging and finding a place because it's so much at the heart of human experience, perhaps especially for young people who don't feel quite like the people around them. It's that awareness of difference and the ability to find kinship through the love of difference that can help any sff reader, I think.
Best,
TT