Dear Chuck Wendig,
Friendship, Adventure,
and The Feels
by
Patrick Swearingen
The
troubles and interests that readers encounter in science fiction and fantasy
often coincide with each other. Good science fiction and fantasy will introduce
troubles and interests using the same themes. These themes must of course be
relatable to the reader’s own troubles and interests.
Friendship is one of the themes
throughout science fiction and fantasy that produces relatability in
characters, as well as creating troubles and interests for the reader. Readers
find an interest in friendship because they enjoy the bonds formed between
characters. It allows readers to compare their own friendships, and even share
the book with their friends saying, “This scenario reminded me of our
friendship.” However, this theme also speaks to the troubles that readers have.
Many people have a fear of being alone, or at least not having close friends.
Thus, friendship in fiction draws on these troubles to create the sense of
fantasy, something that might be unreachable for readers. Even if people have
friends, they might have fear the fear of losing them, or that their friends
are not as close as they let on to be. In either case, science fiction and
fantasy stories that explore the depths of friendship, both the negative and
positive experiences, create a sense of interest and trouble for the reader.
Another theme that produces
interest and trouble for readers is adventure. They can relate the adventures
of the characters in science fiction and fantasy to their own life. If the
character is forced to make a decision, readers relate this to decision making
in their own lives. If the character overcomes a great feat, readers relate
this to their personal successes. This relatability with a character’s
adventure create interest for the readers. Similarly, the same works for the
difficult times in a character’s adventure. If a character fails a trial in
their adventure, readers relate this to their own failures. This creates a
sense of trouble from the adventure theme. However, readers do not just feel a
sense of failure, they also can experience the character overcoming this failure,
thus relating to the reader’s own ways of dealing with difficult times in their
lives. It allows readers to confront their failures from a new perspective. The
adventurous theme is attractive to readers because they can relate to the
adventure through the interest and troubles portrayed by similar situations.
One of the most powerful themes
seen throughout science fiction and fantasy is commonly called, ‘the feels.’ The
feels is more or less when a character goes through an emotional event, usually
depressing. When immersed in reading, a reader will begin to feel the same way
as the characters in the story. They will feel empathetic towards the
characters, so much so that they feel the emotions themselves. The interest and
trouble with this theme arises from escape that comes with feeling a
character’s emotions. By feeling empathy for a character, the reader is further
immersing themselves in the world of the story. The immersion is of interest to
those who want to escape their real lives for a time. ‘The feels’ can likewise
convey a readers troubles. If the reader is experiencing a similar emotion
based on real situations, they will relate strongly to the character and their
troubles. It creates more relatability to the book and its characters, ultimately
creating a better read. Whether the reader wants to escape boredom, depression,
or just needs a break, having scenarios that allow them to feel intense empathy
for characters creates an interesting story.
In order to create successful
stories, authors must make their works relatable for readers. This relatability
is created by including themes that both interest and trouble the readers. The
themes I relate to most are friendship, adventure, and ‘the feels.’ These
themes both create interest and trouble for readers, and are thus relatable for
many people.
Patrick,
ReplyDeleteI'm not sure I've ever thought of "the feels" as a theme coherent unto itself. Well... okay, running with that idea, I wonder if there's a way to articulate why sff might be particularly good at tapping into "the feels"? It seems you chalk it up to immersion in the world written, but by that logic, wouldn't just about any well-written story of any genre work in the same way? You've made a good point about the things that draw us to stories (and you in particular) and not necessarily one that's just about genre fiction.
Best,
TT