Dear Vina Jie-Min Prasad: What makes an ending?
By Nolan Polly
Warning:
Spoilers Ahead!
The
ending of anything is the most memorable part. After reading A Game of Thrones,
what do you remember most clearly? The politics of the kings court? How much of
an ass Joffrey is? No, you remember how the person you thought was the main
character of the series is just offed at the end of the book. Every assumption
you have about fantasy goes completely out the window and you can’t think of anything
but how Ned Stark’s head isn’t on his body anymore, and what that means about
the chances of your favorite character surviving the series. Just reading a random story can capture your
attention for the duration it takes to finish, but not necessarily any longer.
But a good ending can hold you in that world for long after you reach the
conclusion. Your brain is held hostage by whatever just happened and you can’t
help yourself but continue to think about what just happened.
In
my experience, there are a couple of things that lead to a great ending.
There’s the twist ending if it’s done well, there’s the ambiguous ending. and
there’s the ending that is most common, just the tying together of all the loose
ends after an impactful climax. I have an example from each of these to share
with you.
The
first ending I will talk about is the ending to Scott Lynch’s The Lies of Locke Lamora. The book ends
with Locke killing Capa Raza and escaping through trickery like what you had
seen throughout the novel. The climax and the ending being so close to each
other makes the end feel incredibly impactful, especially with the tribute to
the killed Sanza twins adding additional emotional weight to the ending of the
book. When you reach the final chapters, everything is resolved in a way that
doesn’t feel like cheating, in a way that is incredibly exciting, and in a way
that makes an impact on the reader. It ends in a way common to a lot of fantasy
novels, but in my opinion did so nearly perfectly. It set up the remaining
books while also working as a standalone book. It made your heart race and made
you cheer, and then gave you the feels. It made my mind stay in the world
anytime it wandered, reliving the climax of the story over and over, and
thinking about the characters and the scheme they were running throughout the
novel. It is my favorite ending to a fantasy book.
The
second type of good ending is the ambiguous case. The best example is that of Inception. The final image of the top
appearing to wobble but not falling down is one of the most infuriating things
I’ve ever seen. When I showed the movie to my roommate he got so mad at the end
that he was screaming at me because he didn’t want that final image haunting
him. But that was the best possible ending using the criteria I’ve been talking
about. Once you finish the film, you can’t stop yourself from theorizing
whether the top will fall or not, and you construct the world you want and
continue thinking about that world and write your own fan fictions in your head.
It is the best example of this type in that it keeps you in the dream world for
an incredibly long time and has an emotional impact on the viewer. It is a
beautiful ending and an infuriating one at the same time.
The
final ending is that of the plot twist. The best use of the twist ending is
that of The Usual Suspects. The
constant building of the man that is Keyser Soze, the montage that he is truly
Keaton who set up the heist, to the final reveal that he is really Verbal is
one that nobody ever expects. The twist is one I
didn’t see coming, which is the whole idea, but it wasn’t a twist that felt
forced. It is one that made sense and one that gives you a punch to the gut
every time you see it. It is an incredible ending that held me for longer than anything
else I’ve experienced and is one that made me feel like I knew something no one
else did. The twist created my favorite movie ending of all time and cemented
the movie as one I will never tire of watching.
Nolan,
ReplyDeleteAmazingly, I had forgotten about the ending of THE USUAL SUSPECTS until you brought it up here. It's a master-class in deceiving the audience in a way that's not unfair, but comes damned close with its careful webwork of misdirections and lies. I'm a great fan of Lynch's novels, too, as you know... though I have Strong Opinions about the end of THE REPUBLIC OF THIEVES that you may or may not want to hear!
Best,
TT